American Masterpieces from Dryads Green Gallery
(Please Scroll Down--Catalogue is Alphabetical by Artist Last Name)
Artist Name:         Emile A. Gruppe'     
Artist Dates:        
1896 - 1978       
Painting Title:   
At the Wharf, Gloucester Painting Date:       Undated   
Medium:             
Oil on Canvas             Signature:             Signed         
Provenance:        
Private Collection      
Condition:           
Excellent
Size Unframed:    
20 x 24        
Frame Condition:  
New Reproduction
Artist Best Price:  
$59,400
Offered At:         $20,000       
Curator's Comments (Cont'd): Emile continued a family focus. His father was the artist, Charles Paul Gruppe, who took his family to Holland while Emile was a child. But the family returned to the U.S. in 1909 as the clouds of WWI gathered. It is said that at this time they added the accent to the Gruppe name to make it appear less German. The elder Gruppe found a studio in New York, and Emile's formal artistic training started at the Carnegie Art School, where the he studied under George Bridgeman. At the Arts Student League's summer school at Woodstock (NY), Gruppe studied under the great landscape artist John Fabian Carlson. He also spent time in Provincetown  studying with Charles Hawthorne.  In later years, he summed up his education by saying that it was balanced on three legs: Drawing taught by Bridgeman, Values taught by Carlson and Color taught by Hawthorne. But his father, whose works we also offer, was his companion painter for over 20 years.

In 1925, after seeing an exhibition that featured the beautiful winter harbor scenes of Gloucester by Frederick Mulhaupt, the Gruppe father and son team headed to Cape Ann for a look that lasted forever. Until 1929 they shared a studio on Bearskin Neck in Rockport. Then Emile moved to nearby Gloucester, where he purchased an old school house on Rocky Neck, close to his beloved harbor scenes which he painted year after year after year. Nyhan observes: " Emile Gruppe' was very quick and sure of himself. He would complete painting a large 30 by 36 canvas in less than two hours, sometimes one. He would begin by taking a charcoal stick and drawing a rough outline of his subject, sketching in the major elements. Then with swift and confident strokes he would begin to cover the drawing.  "Well, lets have a pink sky today" he would say and in would go the Rose Madder. "How about some masts, here" He would load his brush and Zip, Zip, he would drop the tip as quickly as possible, the faster, the straighter the line. And his masts were in." Gruppe is revered as an artist's artist--but his ultimate idea was that we were all artists. That is why his painting remain in endless demand--the small, the large--they are all the joyous expressions of a genius.

Gruppe loved the wharfs and docks of Gloucester, and we think our work is particularly interesting for its sense of connection between the harbor and the open sea of New England that seems to roll in right to the dock. All is in transition as the catch is transferred from the sea to the fishing trawler to the shore. Gruppe has perfectly rendered the harmony of a natural process.
Men At Work Gloucester-- Emile Gruppe'
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