American Masterpieces from Dryads Green Gallery
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Phone: 646-239-6142
Artist Name: Reynolds Beal         Artist Dates:      1867 - 1951
Title:            Eddyville                 Painting Date:   1915
Medium:       Oil on Canvas         Signature:          Lower Right
Provenance:  Private Collection   Condition:         Excellent
Size:              30 x 36                    Frame:              Gold Antique
Offered At:   CALL                     Artist Top Price: $107,000
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Echo Bay, New Rochelle brought $107,000  in 1994
Curator's Comments: Reynolds Beal helped drive American impressionism as the 20th century got
underway. Like Lever and Lawson, he favored the Fauvistic direction, with its strong link to the
radical child like innocence of the American land. His Catskill Prospect focuses on Eddyville, a toy
town surrounding the captured meander known as Pond Eddy. The river is the Roundout, flowing from
the heart of the Catskills, into the Hudson at Kingston, whose back border is marked by the New York
Central railroad bridge. Eddyville is listed as Number 145 in the Sidney Bressler Catalogue Raisonne.   

Matisse and Derain appealed to impressionists like Beal who fell in love with their use of raw color and
the simplicity of perspective favored by the Americans. Beal also studied their brushwork with its
frenetic choppy strokes. And Beal transcended his local influences, building on the use of color that
started with the tonalism he got from Henry Ward Ranger and the focus on light at the heart of Childe
Hassam's impressionism, with the two young men painting together at times.  In 1919 he was selected
with Hassam, Glackens and other prestigious painters to exhibit at the Luxembourg in Paris.

The lower Hudson valley was ground Beal knew well having hiked it many a time while in long
residence from 1895 on at the family mansion called Wilellyen near Newburgh, New York, which had
an unobstructed hillside view of the Hudson. Beal was supported by his gas magnate father and spent
the golden years, as he called them, at home thru 1914. He was born in the Bronx in 1867 and spent his
childhood exploring and sketching the East River. He studied ship design at Cornell, and art at the Art
Students League with John Twachtman and with William Merritt Chase at the Shinnecock School.
From 1900 to 1907, he painted almost exclusively at the artist's community in coastal Noank,
Connecticut with Henry Ward Ranger. After his break with Ranger in 1912, Beal focused more on the
Hudson River Valley. He was most active artistically from 1910 to 1920, and his masterpiece Eddyville
is dated 1915.

Beal exhibited at the Clauson Gallery (NY) and Kraushaar Gallery (NY) as early as 1929, and by 1934
he was an active participant in the Salmagundi Club, Lotus Club, Century Club, National Academy of
Design and the American Water Color Society. Later, Beal turned his focus on Rockport and
Gloucester in Massachusetts. His studio overlooked Rockport's Inner Harbor, and he emphasized
marine watercolors, and always his beloved traveling circus subjects, where he could capture the child
like aspects of clowns and performers.

But for Beal the ultimate master was Van Gogh, and he studied Walter Pach's book on the genius
along with everything he could see or read "Van Gogh," said Beal, "took the impressionist idea of
broken color to give light effect, and carried it farther by drawing in color." This is a difficult
statement yo understand, tyet it stands at the heart of Beals' art, with its almost refractory technique
that begins by reducing color value only to rebuild an overarching colorist unity--as in the orchid and
heliotrope and amethyst and indigo and violet of Eddyville--where everything comes from red and blue.

Beal sailed often in the Caribbean, as his yachting scenes show. At sea in the tropics he was again
deeply challenged by the light and truly living color of the islands, which infused his Catskill works as
well. His most complex and vibrant works are composed with a mosaic of brush strokes and literal
streams of color. They are beautiful paintings in every sense of the word that celebrate nature's own
spectrum. We are proud to offer this beal gem that is so much a symbol of the artist's earthly joy.
Reynolds Beal ca. 1920
Sandy Bay Regatta brought $76,000 in 2000
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We Offer A Beal Masterpiece Full of Joyful Color
Don't Miss the New Beal Exhibition in Boston at Vose Gallery