American Masterpieces from Dryads Green Gallery

Artist Name:        Walter Koeniger Artist Dates:        1881-1943       Painting Title: Autumn Pond at Woodstock Painting Date:     Undated  Medium:             Oil on Canvas       Signature:            Signed Lower Left         Provenance:         Private Collection Condition:          Good, Relined       Size Unframed:     25 x 30  Size Framed:         33 x 38      Frame Condition: Good Wide Gallery Style Artist Best Price:  $17,600 Our Price:            SOLD

Curator's Comments: Koeniger was not committed to Impressionism, except as a way of communicating the emotional resonance he found in nature. He was long bonded to the Woodstock ground he new so well, often repeating its scenery throughout the seasons. A plein-air painter, even in winter, he used fresh, glowing colors to convey the crisp, vigorous mood of his settings. A 1925 catalogue emphasizes that Koeniger was an artist who dedicated his life to the depiction of the American landscape, especially in the winter months, and clearly" he had a “passion” for “frozen, snow-covered scenes of winter,” though he painted the landscape at all seasons as we illustrate. Still, Koeniger was one of the three greatest American painters of the snow, along with Birge Harrison and Walter Launt Palmer. But there is an important difference in technique, with Harrison achieving resonant whiteness through his brushwork (see our offered painting under Harrison in this regard) and Palmer using luminescent violet and yellow to capture gleaming snow. Koeniger went after a bleached extreme whiteness  and altered his pigment with that intent; unfortunately, this is now showing up as flaking in a number of paintings emphasizing a dominant white world—and we are cautious in this regard.

G. Frank Muller’s memoir of Woodstock at this time refers to Koeniger’s pursuit of “the moods of nature and the soft graduations of violet, purple, deep blue,”—and do note that Koeniger himself made reference to nature’s “silent places,” clearly a theme found in Autumn Pond at Woodstock. Muller said Koeniger’s purpose was “to catch the spirit of nature and to capture and hold the most fleeting moods,” and he has done just that in this work, which clearly expresses a waiting for winter that must come. The sky has already lost the summer, and the clouds are just beginning to become wintery. No two trees in this painting are exactly alike--that is Koeniger's genius. Autumn Pond at Woodstock is about mirroring, about the pond’s endless reflections, about nature as homologue, consistently beautiful in all its states, both in autumn and the winter that is coming.

One of Koeniger's many Summer landscapes hit $10,000 in 2003.

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