American Masterpieces from Dryads Green Gallery
(Please Scroll Down--Catalogue is Alphabetical by Artist Last Name)
Artist Directory
Terms & Conditions
Click on link for:
Phone: 646-239-6142
Bronx River: Reflections of Spring, Oil on Canvas, 24 x 30, Signed
Give us a call at:
Curator's Comments: We our pleased to have a Lawson back to offer, having sold  a view in
the Colorado series focused on the Silver Dollar Mine at Cripple Creek. Our new offering is early,  
a view of the upper Bronx River, and impressive for its joyous tones that blend sky, riverbank, the
stream and the meadow.  Lawson (1873-1939) was born in Halifax, studied in France, but came
under the influence of Twachtman at the Art Students League in New York in 1890. From 1893 to
1898, he studied in Paris at the Academy Julian. In Paris, he shared a studio with Somerset
Maugham, who used him as the prototype for Frederic Lawson in his novel,
Of Human Bondage.  
By 1898, he had moved to New York City's Washington Heights section, where countryside and
river views still dominated. The Bronx River flows south from upper Westchester, past White
Plains, then south-southwest through the northern suburbs, passing Tuckahoe, Eastchester, and
Bronxville,  before emptying into the East River. Lawson favored this area, perfectly pastoral
during his residence,  and further south he painted the Harlem River that divides Manhattan and  
the Bronx. He participated in both the landmark exhibition of The Eight in 1908 and the Armory
Show of 1913. But, as in the work of his best friend Glackens, his work has little to do with Ashcan
Realism. Impressionism remained his metier, and his focus was typically on landscape. Lawson left
New York, painting and traveling widely, until he settled in Florida at the close of his career.
Next Catalogue Page
Prior Catalogue Page
We think of Lawson, along with Redfield and Schofield, as one of the three preeminent U.S.
landscape artists in the first half of the 20th century. These painters achieved a breakthrough,
going far beyond naturalism, tonalism, and even impressionism to create the unique mode of
expression that we call
art. Lawson's impasto technique is thickly layered onto the  canvas, in what
is clearly a very fine representation of what critic J.G. Huneker called coloration "made from
crushed jewels." What is genuinely magical about the painting we offer is that it gleams a total
pink-yellow-cobalt and bright verdant green when illuminated by horizontal beams of daylight.
This work is one of the finest examples of Lawson's brushwork and impasto that we have ever
seen. Throughout the texture is magnificent. The light blue cobalt of the sky reflects into the
deeper cobalt of the river that throws reflection onto the stony bank in a cobalt blue of medium
hue that brightens the green shades that reflect back up to the glowing sky. The effect is a truly
wondrous experience for the eye. The signature is rendered in the cobalt hue and is readily seen in
natural light when the painting is laid flat. But when the painting is hung it blends into the
riverbank, where Lawson partially disguised it. We are pleased to quote a condition report on the
current work prepared  by the noted restorer Simon Parks: "This painting is in perfect condition.
The canvas has never been removed from its original stretcher. The paint layer is clean and is not
only stable, but has not been retouched and unusually for a work by Lawson, has no disturbing
cracking or distortion. The picture should be hung as is." Enough said-this is a painting you want
to own.
Ernest Lawson, ca. 1920
The Bronx River today.
Arm of the Harlem River
sold for $114,000