Dryads Green Gallery Welcomes You
Call--646-239-6142--Our Gallery Can Help You
Make An American Impression!
(Talk to us--we are happy to hold paintings until you can examine them in person. Just make an
appointment for your next visit to New York City. We accept only voice calls and e-mail. Do not
text us. For client privacy, we are not on Facebook or any other social network.)
Directory: (Click On Artist)
Last Updated: October 22, 2014
Our Focus Is Specific
As collectors and investors, we share and respect your dedication to
the American art that we believe in. We focus only on masterpiece
American oil paintings, generally of the period from 1850 to 1950.
For our clients and ourselves, these are the great 100 years, which
begin with works by Wyant and Bolton Jones and continue on to
Crane and Murphy, and then to Lawson, Schofield, Folinsbee,
Gruppe and Wolf Kahn--among others. We leave 18th-century
neo-classical paintings to other dealers, drawing the line at
American artists from Samuel Colman and earlier. Landscape is our
sole focus, and we are pleased to work with clients and collectors
who share its deep and lasting appeal. We support the artistic
preferences of our fellow collectors, who seek for representational
works within the varying American contexts of Realism, Luminism
and Impressionism. For us the image of nature is paramount, no
matter what pictorial technique is used to imaginatively render its
meaning.

Our Artistic Commitment Is Clear
We have a very strong commitment to the great American paintings
that we own, and we expect the individuals who purchase our works
to share our understanding. We believe that American art is at last
coming into its own in its homeland. And the opening of the new
American wing at New York's Metropolitan Museum--following a
new American wing last year for Boston's Museum of Fine Arts--will
add sales thrust and interest! This trend will continue as collectors
react to the rising investment potential. Prices are still low
today--but they are moving higher. This permits us to make
available to our clients works whose stature would be out of reach if
done by contemporary European artists. We have no interest in
Abstract Expressionism since we believe that great art reflects the
union of individual imagination and the landscape of reality, giving
rise to a universal experience that can be shared. And as collectors
begin to reject private and self-centered shapes, egocentric smears
by self-declared artists, classic American art also gains. Since we are
collector-investors who put value first, we are proud to offer works
created in a tradition whose value is not media-driven but intrinsic.

Our Collectors Like What We Do
Our clients prefer us because we bring wealth management skills to
the art collecting experience. The critical point is our ability to
provide value for our collectors. We want them to live with and
respect the masterpiece paintings we help them obtain and
ultimately to be rewarded by their investment. We work very, very
hard to acquire not only the very best paintings, but to do so at
prices, which allow us to sell to those who want a genuine art
investment. This is by no means easy. We are constantly seeking
value opportunities, and we are frequently disappointed when prices
go beyond what we want to pay. That can happen when untutored
buyers and financial advisors with no artistic experience bid up
prices to levels far above the actual market. We know this happens
because we have obtained bargains when over-priced works come
back for resale. We also benefit when publicity-seeking museums
deaccession American masterpieces in favor of trendy media
pop-art. Once in a great while we can make it work, and we do
acquire something that passes our tests and speaks its beauty. No
wonder, then, that paintings of this kind mean so much to us. Even
then, we try to place them at a price that will enable our collectors
to feel completely satisfied with their purchases. We love our
paintings and we live with them on a daily basis and we are happy to
offer discounts to clients who are able to see the value of
experiencing and knowing truly great art. Selected offerings from
our gallery are illustrated and discussed on this site, and we think
you will find the works we exhibit as meaningful and important as
we do. Please read our
Terms and Conditions before considering our
offerings and services.
For more on who we are click here.

View our top-nine masterpiece portfolio
on a single page by clicking here*

View our new collector value portfolio
on a single page by clicking here*
Reynolds Beal
Walter Emerson Baum
Johann Berthelsen
James King Bonnar
William Chadwick NEW
John E. Costigan NEW
Bruce Crane  SOLD
Franklin B. DeHaven
Werner Drewes NEW
Charles Harry Eaton NEW
John Joseph Enneking
Walter Farndon
Helen A Fleck NEW
John Fulton Folinsbee
Arthur Clifton Goodwin
Charles Paul Gruppe'
John R. Grabach NEW
Emile A Gruppe' NEW
AldroThompsonHibbard
Howard Logan Hildebrandt
Hugh Bolton Jones
Wolf Kahn NEW/NEW
Louis Aston Knight NEW
Walter Koeniger
Ernest LawsonNEW
Richard Hayley Lever NEW
Antonio Pietro Martino
John Francis Murphy
Hobart Nichols SOLD
William Edward Norton
Robert Emmett Owen
Lilla Cabot Perry
Levi Wells Prentice NEW
Robert Lewis Reid
Louis Ritman
Samuel Rothbort SOLD
Chauncy Foster Ryder
Birger Sandzen SOLD
Walter Elmer SchofieldNEW
Eric Sloane
George Henry SmillieSOLD
William Lester StevensNEW
George Gardner Symons
Guy C. Wiggins
***********
CONTEMPORARY
     ART
Mostafa Keyhani
Richard Kipniss SOON
Gail Postal SOON
CLICK HERE FOR A
PRIZE-WINNING
ASH CAN SCHOOL
MASTERPIECE
BY
CHARLES  TAYLOR--
FOR JUST $4,000!
CLICK HERE FOR
OUR SPECIAL
COMMENTARY ON THE
JUST OPENED SCHOFIELD
RETROSPECTIVE
AT THE WOODMERE
ART MUSEUM
NINE NEW REASONS TO BUY
CLASSIC AMERICAN ART!
THE TRIUMPH OF THE TRADITIONAL: ROCKWELL TOPS $46 MILLION--
HOPPER BEATS $40 MILLION!
All viewers agree that they have read our Terms & Conditions:
Terms & Conditions
You may contact us at:
director@dryadsgreengallery.com
646-239-6142
Phone:
Email:
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Dryads Green Gallery
Charles Warren Eaton NEW